"We used to think...when I was an unsifted girl...that words were weak and cheap. Now I don't know of anything so mighty." -Emily Dickinson
Thursday, April 15, 2021
Almost certain...
Wednesday, April 14, 2021
"Allison Road"
Tuesday, April 13, 2021
Inventory
Monday, April 12, 2021
17 years of Wes...
12 April 2021: Happy 17th to Wes! He's got his paw on my shoulder here, something he does regularly and Exhibit A in my case that he's the sweetest boy.
Sunday, April 11, 2021
Suburban dad mode...
Even that tree out back, which started as a tiny twig from a friend, bears witness to a decade-plus of growth and change.
Saturday, April 10, 2021
Friday, April 9, 2021
Farewell, Wynonna Earp!
Thursday, April 8, 2021
"What is left? What remains? Ephemera remain."
8 April 2021: "I have been making a case for a hermeneutics of residue that looks to understand the wake of performance. What is left? What remains? Ephemera remain. They are absent and they are present, disrupting a predictable metaphysics of presence. The actual act is only a stage in the game; it is a moment, pure and simple. There is a deductive element to performance that has everything to do with its conditions of possibility, and there is much that follows....This command to write is a command to save the ephemeral thing by committing it to memory, to word, to language. The poet instructs us to retain the last thing through a documentation of our loss, a retelling of our relationship to it" (Muñoz 71).
Still working my way through and really enjoying Cruising Utopia. This analysis of Elizabeth Bishop's "One Art," one of my favorite poems, just knocked me out.
Work Cited
Muñoz, José Esteban. Cruising Utopia: The Then and There of Queer Futurity. New York UP, 2009.
Wednesday, April 7, 2021
Centering
Tuesday, April 6, 2021
"A photograph"
Monday, April 5, 2021
"the lady in red when everybody else is wearing tan!"
Sunday, April 4, 2021
Saturday, April 3, 2021
Poem for an early spring day...
3 April 2021:
"Instructions on Not Giving Up"
Ada Limón
More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor’s
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it’s the greening of the trees
that really gets to me. When all the shock of white
and taffy, the world’s baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come. Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty. Fine then,
I’ll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, I’ll take it all.







