Don Paterson
As was my custom, I’d risen a full hour
before the house had woken to make sure
that everything was in order with The Lie,
his drip changed and his shackles all secure.
I was by then so practiced in this chore
I’d counted maybe thirteen years or more
since last I’d felt the urge to meet his eye.
Such, I liked to think, was our rapport.
I was at full stretch to test some ligature
when I must have caught a ragged thread, and tore
his gag away; though as he made no cry,
I kept on with my checking as before.
Why do you call me The Lie? he said. I swore:
it was a child’s voice. I looked up from the floor.
The dark had turned his eyes to milk and sky
and his arms and legs were all one scarlet sore.
He was a boy of maybe three or four.
His straps and chains were all the things he wore.
Knowing I could make him no reply
I took the gag before he could say more
and put it back as tight as it would tie
and locked the door and locked the door and locked the door
Maybe it's too creepy? Too disturbing? Too weird? I
don't know. And man...that last stanza,
which inverts the rhyme scheme and then chillingly repeats "locked the door," is
just so good.
3 comments:
You need to teach this just to hear the students' interpretations of it.
Sandusky was one of the first things that came to my mind.
Thanks for the feedback. You've convinced me--I'll teach it!
Didn't know you were helping to keep me educated did you?:)
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